Chapter 18 · Verse 74·Spoken by Krishna
सञ्जय उवाचइत्यहं वासुदेवस्य पार्थस्य च महात्मनः।संवादमिममश्रौषमद्भुतं रोमहर्षणम्
ity ahaṁ vāsudevasya pārthasya cha mahātmanaḥ saṁvādam imam aśhrauṣham adbhutaṁ roma-harṣhaṇam
Sanjaya said: So I heard this wondrous dialogue between Krishna and the great-souled Arjuna, which makes the hair stand on end.
Word by Word
Saved for this reading session
Three movements · tap a label to switch
Sanskrit recitation by Swami Brahmānanda
Audio from the Gītā Supersite, IIT Kanpur
Synthesis · a glossed leaf
machine-assisted draft, pending review
Convergence
fter the long teaching is complete, the narrative steps back outside the dialogue. Here the speaker is no longer Krishna or Arjuna but Sanjaya, the witness reporting the whole Gita to the blind king Dhritarashtra on the battlefield's edge. The word 'thus' (iti) points back to everything that has been said, marking that the conversation is now finished and that Sanjaya is closing the outer frame in which the king has been receiving his report.
Braided from 11 commentators
Śaṅkarācārya · Śrī Ānandagiri · Madhusūdana Sarasvatī · Śrī Nīlakaṇṭha · Dhanapati Sūri · Rāmānujācārya · Vedānta Deśika · Vallabhācārya · Śrī Puruṣottama · Śrīdhara Svāmī · Swami Ramsukhdas
Sanjaya names two speakers with care. One is Vasudeva, that is Krishna, the son of Vasudeva; the other is Partha, that is Arjuna, called here 'great-souled' (mahatma). Several commentators stress that 'great-souled' is not a mere courtesy: it marks Arjuna as a person of large, un-petty understanding, fit to receive this teaching, and one who took refuge at Krishna's feet. The exchange was conducted as between teacher and pupil, by question and answer.
Braided from 7 commentators
Śaṅkarācārya · Śrī Ānandagiri · Dhanapati Sūri · Rāmānujācārya · Vedānta Deśika · Śrī Puruṣottama · Swami Ramsukhdas
Sanjaya calls the dialogue by two words. It is 'wonderful' (adbhuta), because its subject matter is extraordinary, beyond ordinary experience, unimaginable among the worlds; and it is 'hair-raising' (roma-harshana), causing the body to thrill and the hair to stand on end. The first names an inner amazement of the mind, the second names its visible effect in the body. Together they show the sheer fullness of the wonder Sanjaya felt in hearing it.
Braided from 13 commentators
Śaṅkarācārya · Śrī Ānandagiri · Madhusūdana Sarasvatī · Śrī Nīlakaṇṭha · Dhanapati Sūri · Rāmānujācārya · Vedānta Deśika · Vallabhācārya · Śrī Puruṣottama · Śrīdhara Svāmī · Sant Jñāneśvar · Swami Sivananda · Swami Ramsukhdas
The verse forms the deliberate closing bracket of the Gita. As one commentator notes, the dialogue began far back when Sanjaya first set the scene in the first chapter, and now, eighteen chapters later, the same witness closes it. The whole long arc of the teaching has been carried on the single thread of this one conversation, and Sanjaya, summing up his witnessing, insists that this was no ordinary dialogue, no ordinary teaching, no ordinary moment.
Swami Ramsukhdas · Vedānta Deśika · Vallabhācārya · Śrīdhara Svāmī · Śrī Puruṣottama
Divergence
Bhakti
The devotional reading turns Sanjaya's wonder into a mystical event in its own right. On this view Krishna and Arjuna, though they appear distinct because they have separate bodies, are inwardly one, like two mirrors set face to face, or two lamps, or two suns shining at each other, where no one can say which gives light and which receives it. As the dialogue proceeds all duality is destroyed, so that finally there is no real questioner and no real answerer. Sanjaya, simply by remembering this, is himself drawn into that non-dual state: he loses his sense of being Sanjaya, his body thrills and stiffens with all the marks of sacred emotion, tears flow, his words choke, and only slowly does he return to ordinary awareness. The hair-raising here is the overflow of that bliss.
Sant Jñāneśvar
Kashmir Shaivism
This reading takes Sanjaya's closing words as a teaching about the dialogue's lasting power. When the meaning of this tightly woven conversation, held by an unbroken stream of contemplation, finally ripens into a wholly clear, thought-free experience, then the mere remembrance of the dialogue itself bestows the supreme Brahman. So recalling the talk of the Lord and Arjuna brings, through the attainment of truth, the glories of fortune, victory, and might. The summary closes with a benediction: having broken the dull, ignorance-clouded mind, having reached the self-luminous reality beyond all conception, whatever such a person does with ease, resting in the natural play of his own awakened senses, all of it becomes auspicious.
Ācārya Abhinavagupta
Śuddhādvaita
This reading dwells on why Sanjaya bothers to tell the dialogue to Dhritarashtra at all, given that the king is hostile to the Lord and will gain no real fruit from it. It explains that Sanjaya still feels bound to report at the king's side, that telling it reveals the cause of his own joy in the hearing, and that it keeps alive the thread of praiseworthy narration. Here 'Vasudeva' is read as the giver of liberation and Arjuna as the Lord's devotee, and 'hair-raising' is glossed as awakening joy. Even joined to the king by a bond of hostility, Sanjaya has heard, and the hearing has gladdened him.
Śrī Puruṣottama
Modern
A modern devotional reading explains the two key words from felt experience. The dialogue is wonderful because it deals with Yoga and with transcendental matters that concern the mysterious, immortal Self. It is hair-raising because, whenever higher, sacred emotions rise in the heart, the hair naturally stands on end; this horripilation is a real and recognized sign that devotees often experience, not a mere figure of speech.
Swami Sivananda
A Seeker Asks
Why does the Gita end not with Krishna's final word but with a bystander marveling, and what is the reader meant to take from Sanjaya's wonder?
The verse is the deliberate closing bracket of the whole text. The witness who first set the scene in the opening chapter now steps back outside the dialogue to close the frame in which the blind king has been receiving the report. Ending on the witness, rather than on the teacher's last word, lets the reader see the teaching from the outside and feel its impact, not just its content.
Swami Ramsukhdas · Vedānta Deśika · Vallabhācārya · Śaṅkarācārya · Śrī Ānandagiri
What Sanjaya offers is precisely his wonder. He calls the dialogue 'wonderful' because its subject is extraordinary and beyond ordinary experience, and 'hair-raising' because it makes the very body thrill. The reader is meant to receive the Gita the way Sanjaya did: as something that amazes the mind and moves the body, no ordinary dialogue and no ordinary moment.
Braided from 6 commentators
Śaṅkarācārya · Madhusūdana Sarasvatī · Rāmānujācārya · Śrī Puruṣottama · Swami Ramsukhdas · Swami Sivananda
Some commentators add that the wonder is itself a doorway. On one reading, the mere remembrance of this dialogue, once it ripens into clear thought-free experience, bestows the highest reality; on another, the hair standing on end is the natural overflow of sacred emotion that devotees genuinely feel. So Sanjaya's marvel is not a decorative ending but a sign of what the teaching can still do in anyone who recalls it.
Ācārya Abhinavagupta · Swami Sivananda · Sant Jñāneśvar
Contemplation
Notice that the Gita does not close on a grand conclusion but on a witness in plain wonder. Sanjaya watched the whole conversation unfold, and at the end he does not summarize the doctrine; he simply says this was no ordinary dialogue, no ordinary teaching, no ordinary moment. The single word 'thus' gathers up all eighteen chapters and points back to where it began. Let that be your posture too. When you have read or heard the Gita through, you need not rush to extract a tidy lesson. You can sit, as Sanjaya does, in honest amazement that such a conversation exists at all, and let even the memory of it fill you with quiet joy.
Sit with this · Swami Ramsukhdas
Pull up a chair.
You have come to sit with this verse. When you are ready to hear the translators and the commentators in full, tap a name in The seating.