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V.3911.3811.40

Chapter 11 · Verse 39·Spoken by Arjuna

वायुर्यमोऽग्निर्वरुणः शशाङ्कः प्रजापतिस्त्वं प्रपितामहश्च। नमो नमस्तेऽस्तु सहस्रकृत्वः पुनश्च भूयोऽपि नमो नमस्ते

vāyur yamo ’gnir varuṇaḥ śhaśhāṅkaḥ prajāpatis tvaṁ prapitāmahaśh cha namo namas te ’stu sahasra-kṛitvaḥ punaśh cha bhūyo ’pi namo namas te

You are wind, death, fire, the god of the waters, the moon, the lord of creatures, and the great-grandfather. Salutations to you a thousand times. Again and again, salutations to you.

Word by Word

vāyuḥthe god of windyamaḥthe god of deathagniḥthe god of firevaruṇaḥthe god of waterśhaśha-aṅkaḥthe moon-GodprajāpatiḥBrahmatvamyouprapitāmahaḥthe great-grandfatherchaandnamaḥmy salutationsnamaḥmy salutationsteunto youastulet there besahasra-kṛitvaḥa thousand timespunaḥ chaand againbhūyaḥagainapialsonamaḥ(offering) my salutationsnamaḥ teoffering my salutations unto you
—:—— / —:——

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Sanskrit recitation by Swami Brahmānanda

Audio from the Gītā Supersite, IIT Kanpur

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machine-assisted draft, pending review

Convergence

rjuna keeps naming who Krishna really is, and the names he reaches for are the great gods who run the natural world. Krishna is Vayu, the wind. He is Yama, the lord of death who restrains all. He is Agni, fire. He is Varuna, the lord of the waters. He is Shashanka, the moon. He is Prajapati, the lord of creatures, and Prapitamaha, the great-grandfather. The commentators agree these names are not a list of separate beings standing beside Krishna; they are a way of saying that Krishna is the very self and inner being of all the deities at once. The wind blows, fire burns, the waters hold, the moon shines, because He is what stands behind each of them. Several read the named deities as upalakshana, a sample that stands for the whole pantheon: by naming a few, Arjuna means all of them.

Braided from 14 commentators

Śaṅkarācārya · Madhusūdana Sarasvatī · Śrī Nīlakaṇṭha · Dhanapati Sūri · Śrīdhara Svāmī · Śrīla Baladeva · Śrī Puruṣottama · Sant Jñāneśvar · Lokmanya Tilak · Swami Sivananda · Swami Ramsukhdas · Vallabhācārya · Rāmānujācārya · Vedānta Deśika

The word that gives the chain its shape is prapitamaha, the great-grandfather. The commentators unpack it step by step. The Prajapatis are the fathers of all creatures. Their father, the grandfather of creatures, is Brahma, also called Hiranyagarbha or the four-faced one. And the father even of Brahma is Krishna; so He is the great-grandfather, the one who stands one generation behind the very source of the world. The point is not family lineage but origin: Krishna is prior to the highest creator, the ground from which even the maker of the cosmos comes.

Braided from 9 commentators

Śaṅkarācārya · Madhusūdana Sarasvatī · Rāmānujācārya · Śrīdhara Svāmī · Śrīla Baladeva · Śrī Nīlakaṇṭha · Lokmanya Tilak · Swami Sivananda · Śrī Puruṣottama

Because Krishna is the inner self of every god, the commentators draw the same conclusion: He alone is the one truly worthy of worship by everyone. If every deity a person might bow to is in truth Krishna, then all worship finally lands on Him. This is why Arjuna, the lowly one as he sees himself, offers his homage; and several note he calls the deities to bow because they too are bowing to their own ground.

Madhusūdana Sarasvatī · Śrīdhara Svāmī · Śrī Puruṣottama · Śrīla Baladeva · Dhanapati Sūri

Then comes the flood of bowing. Arjuna says salutation a thousand times, and again, once more, salutation, salutation. The repetition is the heart of the verse. The commentators agree it is not empty rhetoric but the mark of a devotion and faith so full that it cannot find rest. No number of bows feels like enough. Even after bowing a thousand times Arjuna has no sense of 'that is sufficient'; the very excess of his love and trust keeps driving him back to bow once more. The grammar itself (the thousandfold form, the doubled 'again and once more') is read as the outward sign of an inner state that has no point of completion.

Braided from 10 commentators

Śaṅkarācārya · Śrī Ānandagiri · Madhusūdana Sarasvatī · Śrīdhara Svāmī · Dhanapati Sūri · Śrī Puruṣottama · Ācārya Abhinavagupta · Swami Sivananda · Vallabhācārya · Sant Jñāneśvar

Divergence

Advaita Vedānta

These commentators read the chain of names as the disclosure of Krishna's all-Self-hood: He is the single Self that all the deities really are. They take the great-grandfather as the cosmic hierarchy seen from within. Some place named layers in it: the Prajapatis (Kashyapa, Viraj, Daksha and the rest), then Brahma or Hiranyagarbha the grandfather, then the inner controller or sutra-Self who is the father even of Hiranyagarbha. One develops this furthest by mapping the levels onto cause and effect: Brahma (the Karya Brahman, the effect) has Ishvara behind him (the Karana Brahman, the cause), and Ishvara, who has Maya as His causal body, is therefore the great-grandfather, the father even of Brahma. On this reading the names do not add up to a many; they trace a single reality back to its sourceless source, and the worship of all gods collapses into worship of the one Self.

Śaṅkarācārya · Śrī Ānandagiri · Madhusūdana Sarasvatī · Śrī Nīlakaṇṭha · Swami Sivananda

Viśiṣṭādvaita

These commentators read Krishna as the inner self of the grandfather and the rest, so that He, not they, is finally denoted by every divine name; being the self of Brahma's own father, He is the great-grandfather of all creatures. One takes verses 39 and 40 as a single movement that exhausts the salutation, and lifts out its doctrinal point from the next verse: the Lord 'completes the all, therefore He is the all.' On this view Krishna is the all not by being identical with the world but by perfecting and fulfilling it; He is the completer of the cosmic field, the one in whom every elemental and cosmic power finds its fullness, and the salutation honors Him as that perfecting ground.

Rāmānujācārya · Vedānta Deśika

Dvaita

This commentator, reading verses 37 through 40 together, is careful about exactly how Krishna is said to be the universe. The whole world, made of the existent and the non-existent, is called Krishna alone precisely because He is the giver of their existence, and not in any other sense; to read it otherwise would contradict the surrounding verses. He also works hard on the words: 'great-souled' must not be taken to mean small-minded, and 'atman' here must not be read as the individual soul. So the verse's identifications are grounded in Krishna's role as the bestower of being to all, keeping a real distinction between the Lord and the dependent world He sustains.

Śrī Jayatīrtha

Śuddhādvaita

These commentators hear the bow as a trembling, fear-touched salutation. Krishna is at once each separate god and the un-perishing (avyaya) whole, and this double recognition is what multiplies the bows: the worshipper, seeing both the particular deity and the imperishable totality in the same moment, simply cannot finish. One spells out each name's function with care: Vayu the impeller of every breath, Yama the restrainer, Agni the support, Varuna who fills every flavor, the moon who makes every bliss, Prajapati the producer of all; and reads 'astu' (let it be) as a plea, 'please accept,' with the bowing continuing even after acceptance. For them the salutation is multiplied not by figure of speech but by the very structure of what is seen.

Vallabhācārya · Śrī Puruṣottama

Bhakti

These commentators take the verse as bhakti-rasa, the flavor of devotion. One hears the many bows as a lover's helplessness: the devotee cannot stop bowing because no number of prostrations is full payment for what has been shown to him. One uses an image to hold the metaphysics: as a single gold is present in bangles and other ornaments, so Krishna, who holds both the conscious and unconscious energies and is their cause, is present in Vayu and all the rest, and so is in the form of all things; therefore He is worthy to be honored by all. The Marathi voice lets the rapture overflow into song: beholding the Deity from head to foot, seeing all beings animate and inanimate within Him, the devotee bows again and again until, baffled in further praise and unable to contain his joy, he scarcely knows he has burst into hymn.

Śrīdhara Svāmī · Śrīla Baladeva · Sant Jñāneśvar

Kashmir Shaivism

This commentator says little, and says why: the doubled 'homage, and homage' makes manifest the surpassing height of devotion, and that is enough. The very nature of the Lord that was set forth in the earlier chapters Arjuna has now turned into a thing of direct apprehension, and he reveals it through this hymn of praise. To comment further would only repeat what is already plain in the seeing itself, so explanation is deliberately left aside.

Ācārya Abhinavagupta

Modern

These commentators dwell on the identity of Prajapati and on the scriptural grounding of the praise. They note that some take Prajapati as Kashyapa and the other lords of progeny (Marichi and the rest were Brahma's mind-born sons, Kashyapa came from Marichi, and all later progeny from Kashyapa), but since the word is in the singular it is more fitting to read Prajapati as Brahma; then 'great-grandfather' follows naturally, since Brahma is grandfather of all. One reads the moon as standing also for the sun and the rest. One distills the wind to its life-giving work: that Vayu by which all are given breath, by which beings live at all, by which all are given capacity, You alone are. They take the thousandfold bowing as plain evidence of Arjuna's intense faith and boundless devotion, unsatisfied even after a thousand prostrations.

Lokmanya Tilak · Swami Sivananda · Swami Ramsukhdas

A Seeker Asks

If Krishna is literally the wind, death, fire, the waters, and the moon, is the verse erasing the difference between God and the world, or saying something more careful than that?

The verse is more careful than a flat 'God equals the world.' Most commentators read the named deities as a sample standing for the whole, and the claim is that Krishna is the inner self and source of each, not that He is reducible to any of them. The wind blows and fire burns because He is what stands behind them.

Śaṅkarācārya · Madhusūdana Sarasvatī · Śrīdhara Svāmī · Śrīla Baladeva

The schools then part on how to hold this. One reading takes it as a single Self that all the deities truly are, tracing every name back to one sourceless reality. Another insists Krishna is the all by completing and perfecting the world, not by being identical with it. A third grounds the identity strictly in His being the giver of existence to all, keeping a real distinction between the Lord and the world He sustains. Each keeps God from collapsing into mere stuff.

Śaṅkarācārya · Vedānta Deśika · Śrī Jayatīrtha

One image makes the careful sense concrete: as a single gold is present in every bangle and ornament without being any one of them, so Krishna, the cause who holds both conscious and unconscious energies, is present in the wind and all the rest. The deities are real forms; He is the one substance present throughout. That is why He, and not they, is finally worthy of all worship.

Śrīla Baladeva · Vedānta Deśika

Contemplation

Let the verse teach you how to bow. Arjuna does not count his salutations and stop at a polite number; he bows a thousand times, and then, still unsatisfied, bows again. Sridhara reads this as the most natural thing in the world for a heart that has truly seen: no number of prostrations is full payment for what has been shown, so the devotee simply cannot finish. When you sit before what is vast, notice the impulse to wrap up your reverence and move on. The verse invites the opposite. Let the gratitude run past what feels sufficient. The point is not to perform many bows but to let love be larger than your sense of 'enough,' so that the bowing comes from fullness, not duty.

Sit with this · Śrīdhara Svāmī

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