Brahman Vision Becomes Desire Vision
Bala Kanda, Chhand 4
Sortha 85 · Movement 2 of 3
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Great yogis and hardened ascetics come under Kama's power. If those who trained a lifetime to master the senses fall, the condition of ordinary people requires no further telling.
The deepest conquest occurs in perception. Those who once looked upon moving and unmoving existence and saw Brahman everywhere now see the world only through the division of sexual form. Women perceive all as male; men perceive all as female.
For two brief watches of time, the whole cosmos is reorganized by desire. Reality has not changed, but the lens through which it is seen has been seized.
Brahman still fills the worlds, yet desire paints its own image across every surface.
Read the passage from the Manas
AI-created devotional illustration · Chhand 4
Symbolic distraction of one unnamed adult ascetic through a perceived female figure; all four lines and contextual qualification retained.
Source reference and artistic choices
Gita Press code81 undated · PDF pages 102 · printed pages 100. Reader passage: bala-kanda-chhand-004. Printed numbering may differ.
Source facts
- Even great yogis and ascetics came under Kama; the source rhetorically asks what then to say of pamar/common or base mortals.
- Those who formerly perceived moving and unmoving creation as Brahman-filled now perceived it as filled with women.
- Women perceived the world as men and men as women.
- This Kama-caused spectacle within the universe lasted two dand/ghari; no exact modern minute conversion asserted.
- Adjacent Soratha85 qualifies the account: those protected by Raghuvira escaped at that time; the historical notes claim that Shiva alone was immune remains unestablished.
Artistic choices
- Two unnamed fully clothed adults symbolize one male-perception portion; no actual meeting, named characters, physical transformation or exclusive participant census asserted. Faces, ages, clothing, poses, spacing and stained-glass botanical architecture are imaginative.
- Complete source facts including reciprocal female perception and the two-dand interval remain in metadata; source and existing translations are unchanged.
- The actual woman is seated with her own hands low in her lap and looking left. Male hair is curly rather than visibly tied. Female bindi, gold ornaments, garden pond, terrace and sunset architecture are artist choices; no historical meeting, garden227 source association or entire-world participant census claimed.
An imaginative interpretation, not a historical portrait or documentary evidence.
भए कामबस जोगीस तापस पावँरन्हि की को कहै। देखहिं चराचर नारिमय जे ब्रह्ममय देखत रहे।। अबला बिलोकहिं पुरुषमय जगु पुरुष सब अबलामयं। दुइ दंड भरि ब्रह्मांड भीतर कामकृत कौतुक अयं।।
Great yogis and tapasis came under the power of Kama. What then to speak of ordinary folk? Those who had always beheld the world as Brahmamaya, pervaded by Brahman alone, now saw everything as woman.