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राम
Sacred Tableau

Ayodhya Dresses Every Street for Ram's Wedding

Bala Kanda, Chaupai 293

Doha 296 · Movement 1 of 2

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The messengers depart in fine garments as drums thunder the news. Celebration begins in every house, and the fourteen worlds fill with delight at the wedding of Janaka's daughter and the hero of Raghu.

Ayodhya is always beautiful, sacred, and auspicious as Ram's city, yet love desires to adorn even perfection. Roads, homes, lanes, and markets receive flags, banners, silk, whisks, golden vessels, arches, and nets of jewels.

Turmeric, durva grass, curd, unbroken rice, and garlands bring the intimacy of rite among the splendour. The city does not decorate because it was lacking. Love adds beauty to beauty for the joy of offering, making every familiar street announce that its beloved prince will return as bridegroom.

Ayodhya needs no ornament, yet love cannot resist adorning the city of Ram.

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Ayodhya's decorated market displays turmeric, durva grass, curd and whole rice beneath garlands and pennants.

AI-created devotional illustration · Chaupai 293

Full eight couplets PDF282; selects final market decor and auspicious substances.

Source reference and artistic choices

Gita Press code81 undated · PDF pages 282 · printed pages 280. Reader passage: bala-kanda-chaupai-293. Printed numbering may differ.

Source facts

  • Departing rewarded ALMS PETITIONERS wear varied cloth and speak blessings, not Mithila messengers who declined gifts.
  • Drummers beat kettledrums; news spreads and homes celebrate.
  • Fourteen worlds filled with joy at Janaka daughter and Raghubir wedding, poetic cosmic scope not physical galaxies census.
  • People decorate roads homes lanes; Ayodhya always beautiful holy Rama city, love adds fresh auspicious decor.
  • Flags pennants cloth white fly-whisks canopy cover decorated market.
  • Golden kalash, torans, gem nets, turmeric, durva grass, curd, whole unbroken rice and garlands.

Artistic choices

  • Zero people selected decor detail. Two golden kalash, two outer white fly-whisk plumes with handles, canopy cloth flags pennants toran floral garlands gem strands. FOUR separate foreground trays: yellow turmeric mound with orange roots LEFT, green narrow durva blades NEXT, broad smooth white rippled curd NEXT, elongated whole rice grains RIGHT. Golden stone market arches, not previous Mithila gold plantain pillars. Counts and arrangement artist choices, no substance engineering/taste assay or entire-city absence census.
  • Exact poses/gazes/numericalages/clothes/ornamentcounts/geargeometryfastening/materials/spatialframing artistchoices not history or wholeparticipant/anatomy/motion/audible/emotionmotive census. Fullsourceoffcrop facts retained noabsenceinference/corpuscorrection/inventedHindi/publishing. Source comparisons/characterinsults/threats not physicaltransformations/violentevents.

An imaginative interpretation, not a historical portrait or documentary evidence.

कहत चले पहिरें पट नाना। हरषि हने गहगहे निसाना।। समाचार सब लोगन्ह पाए। लागे घर घर होने बधाए।। भुवन चारि दस भरा उछाहू। जनकसुता रघुबीर बिआहू।। सुनि सुभ कथा लोग अनुरागे। मग गृह गलीं सँवारन लागे।। जद्यपि अवध सदैव सुहावनि। राम पुरी मंगलमय पावनि।। तदपि प्रीति कै प्रीति सुहाई। मंगल रचना रची बनाई।। ध्वज पताक पट चामर चारु। छावा परम बिचित्र बजारू।। कनक कलस तोरन मनि जाला। हरद दूब दधि अच्छत माला।।

The messengers set forth proclaiming the news, dressed in fine garments of every kind. Joyfully, the great drums (nisaana) thundered out. All the people of the city received the wonderful tidings. In every home, celebrations began. All the fourteen worlds (bhuvan chaari das) were filled with rejoicing at the wedding of Janaka's daughter (Janakasutaa) with the hero of Raghu's line (Raghubeer). Hearing the auspicious story, the people overflowed with love. They began adorning the roads, homes, and lanes. Though Ayodhya was always beautiful, being Rama's city, sacred and brimming with auspiciousness, still, moved by love's own sweetness (preeti kai preeti), they fashioned fresh and lovely festive decorations. Splendid flags, banners, silk cloths, and chamaras were displayed. The markets were adorned in the most wondrous manner. Golden vessels (kanak kalas), festive arches (toran), garlands of jewels, turmeric, sacred durva grass, curd, and unbroken rice (achchhat) were all arranged.