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राम
Leela Scene

The Gatekeepers Fall Through Three Births

Bala Kanda, Chaupai 122

Doha 122 · Movement 1 of 2

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Devotees sing the Lord's glory and cross the ocean of existence. For their welfare, the ocean of mercy takes a body. The causes of Ram's birth are innumerable and wondrous, Shiva says, but he selects one current and asks wise Bhavani to listen closely as it runs through former ages.

At Hari's gate stand Jaya and Vijaya, both dear to him. A brahmin's curse sends them from that luminous service into tamasic demonic births. They arise as Hiranyaksha and Hiranyakashipu, warriors whose might shakes the worlds and humbles even Indra's pride.

The Lord meets them in forms no ordinary boundary could anticipate. As Varaha he raises the earth and slays Hiranyaksha. As Narasimha he bursts forth beyond the protections claimed by Hiranyakashipu, destroys the tyrant, and spreads the stainless fame of the child devotee Prahlada. Even the curse advances within the reach of divine purpose.

From the pillar roars Narasimha, and Prahlada's faith outlives the empire of fear.

Read the passage from the Manas
Imagined Jaya and Vijaya stand respectfully as Hari's two gatekeepers before the curse; appearances and doorway are artistic conventions.

AI-created devotional illustration · Chaupai 122

Hari's two dear gatekeepers Jaya and Vijaya before curse

Source reference and artistic choices

Gita Press code81 undated · PDF pages 136 · printed pages 134. Reader passage: bala-kanda-chaupai-122. Printed numbering may differ.

Source facts

  • Hari has two dear gatekeepers, Jaya and Vijaya
  • Selected first named guardian moment before curse/demonic forms/later avatar actions, no actual transformation or battle pictured

Artistic choices

  • NEW IMAGINED conventional guardian figures, leftJaya deeperbrown shortblackbeard/tealcreamdrape, rightVijaya mediumbrown blackmoustache/rustcreamdrape; exactside-to-name mapping/faces/ages/statures/skin/facialhair two-arm forms/goldcrowns/unletteredVaishnava marks/robes/jewels/staffs notsource-stated or authenticated likeness
  • Two plainwood guardstaffs, simple creamstonefloraldoorway darkinterior/coralfield/leaves/flowers architecturallocus artistsetting notauthenticated namedVaikuntha/historicaltemple/geography; no Hari physicalappearance or sagescurse
  • Roles/namepair source-grounded; not transferred likeness of existingnamedkings, no wings/extraheads/actual curse/boar/lion/Prahlad scene

An imaginative interpretation, not a historical portrait or documentary evidence.

सोइ जस गाइ भगत भव तरहीं। कृपासिंधु जन हित तनु धरहीं।। राम जनम के हेतु अनेका। परम बिचित्र एक तें एका।। जनम एक दुइ कहउँ बखानी। सावधान सुनु सुमति भवानी।। द्वारपाल हरि के प्रिय दोऊ। जय अरु बिजय जान सब कोऊ।। बिप्र श्राप तें दूनउ भाई। तामस असुर देह तिन्ह पाई।। कनककसिपु अरु हाटक लोचन। जगत बिदित सुरपति मद मोचन।। बिजई समर बीर बिख्याता। धरि बराह बपु एक निपाता।। होइ नरहरि दूसर पुनि मारा। जन प्रहलाद सुजस बिस्तारा।।

Singing that very glory, devotees cross the ocean of worldly existence (bhava). The Ocean of Mercy (Kripasindhu) takes a body for the sake of His people. The reasons for Ram's birth are many, each more wondrous than the last.