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राम
Sacred Tableau

The Pilgrimage That Walks

Bala Kanda, Chaupai 2

Doha 2ख · Movement 1 of 2

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With the soft dust of the Guru's feet upon his eyes, Tulsidas turns toward Ram's liberating story. Before beginning, he bows to learned guides who remove doubts, to noble souls who are mines of virtue, and to saints whose lives resemble the cotton plant. Their exterior may be plain and rough, but within it ripens a fibre white, useful, and willing to suffer so another may be clothed.

As the saints gather, the ground beneath them becomes Prayag. The Ganga of devotion to Ram flows through the assembly. The current of sacred action meets it, while the unseen river of Brahman knowledge moves beneath both. Tales of Hari and Hara braid the waters together. Faith rises on the bank like an ancient banyan whose roots hold firm through every season.

This pilgrimage travels wherever the saints travel. It opens in every land and on every day, asking no traveller for wealth or distance. One enters by reverence, listens, and discovers that the confluence has already begun to wash sorrow from the heart.

The saints rise to continue their journey, and Prayag rises with them.

Read the passage from the Manas
Three unnamed contemplatives beneath a banyan, beside cotton and three flowing bands symbolizing the sacred confluence of devotion, contemplation and action.

AI-created devotional illustration · Chaupai 2

Three unnamed contemplatives beneath a banyan, beside cotton and three flowing bands symbolizing the sacred confluence of devotion, contemplation and action.

Source reference and artistic choices

Gita Press code81 undated · PDF pages 22, 23 · printed pages 20, 21. Reader passage: bala-kanda-chaupai-002. Printed numbering may differ.

Source facts

  • Guru's foot dust compared with eye salve for inward discrimination; poet bows to brahmins and virtuous
  • Saints compared to cotton that suffers to cover others' faults
  • Community of saints compared to sacred confluence: devotion Ganga, Brahman contemplation Saraswati, righteous action Yamuna, Hari-Hara stories and firm faith as banyan

Artistic choices

  • Three unnamed contemplatives, faces, poses and garment colours
  • Cotton, folded cloth, banyan and three flowing bands arranged as symbolic imagery, not an actual historical gathering or physical river miracle

An imaginative interpretation, not a historical portrait or documentary evidence.

गुरु पद रज मृदु मंजुल अंजन। नयन अमिअ दृग दोष बिभंजन।। तेहिं करि बिमल बिबेक बिलोचन। बरनउँ राम चरित भव मोचन।। बंदउँ प्रथम महीसुर चरना। मोह जनित संसय सब हरना।। सुजन समाज सकल गुन खानी। करउँ प्रनाम सप्रेम सुबानी।। साधु चरित सुभ चरित कपासू। निरस बिसद गुनमय फल जासू।। जो सहि दुख परछिद्र दुरावा। बंदनीय जेहिं जग जस पावा।। मुद मंगलमय संत समाजू। जो जग जंगम तीरथराजू।। राम भक्ति जहँ सुरसरि धारा। सरसइ ब्रह्म बिचार प्रचारा।। बिधि निषेधमय कलि मल हरनी। करम कथा रबिनंदनि बरनी।। हरि हर कथा बिराजति बेनी। सुनत सकल मुद मंगल देनी।। बटु बिस्वास अचल निज धरमा। तीरथराज समाज सुकरमा।। सबहिं सुलभ सब दिन सब देसा। सेवत सादर समन कलेसा।। अकथ अलौकिक तीरथराऊ। देइ सद्य फल प्रगट प्रभाऊ।।

The dust of the Guru's feet is a soft, beautiful anjana. It is nectar for the eyes and the destroyer of every defect of sight. Having purified the eye of viveka, of clear discernment, with that sacred collyrium, I shall now narrate Ram's story, which sets the soul free from the world. First I bow at the feet of the Brahmins, whose wisdom removes all doubts born of delusion. I offer my loving salutation to the whole assembly of good souls, for they are a mine of every noble quality. The life of a saint is like the cotton plant. Outwardly it seems rough and unremarkable. But its fruit, when it opens, is soft, white, pure, and full of hidden virtue. So it is with those who walk the path of goodness: their worth reveals itself in time, quietly, without display.